The entire thing was a mess.
Case files brimming with information, improperly sorted, organized, never followed up on. Some of them, it even seemed like the police didn't want to follow up on. She didn't entirely blame them - they were overworked and undergunned - but when all of that fell on her shoulders, it was still frustrating. Tale as old as time. City cops blame the "stuck up" feds for interfering, then expect them to fix everything the moment they get authority.
Ah, well.
This was a personal follow-up. An open case, one of the worst in the city - seemingly cut and dry on the surface. The metahuman equivalent of some mentally unwell ideologue bombing a nightclub. But the more she looked into things, the more it didn't seem so simple. There was another piece - Lament. A musician that, for the most part, seemed to mostly just be an edgy art project dedicated to murderers. People took their music as a bit of a game, trying to piece together what their songs were referring to. Songs that often contained alleged samples of the victims.
One of those songs featured a sample from the attack on the Pittsburgh Center of the Arts, a sample that, for what it was worth, seemed very real - and, to her ear, sounded nothing like any of the known bystander recordings of that night. The only known recording that was missing, the official one of the band from the venue itself, had been erased - and the lead singer of the performing band was one of the only people who could have done it.
As it stood, he was hardly a primary suspect, but there was - something off about this whole situation. The man had no history, no surname, nothing. He just appeared one day, and then crossed paths with tragedy in the only city where every coincidence could have been planned.
Just a few questions.
Basilica adjusted her mask, approached the door - gap bathed in a glowing red - blaring music on the other side - and knocked.
"Mr. Kosuke?"
Case files brimming with information, improperly sorted, organized, never followed up on. Some of them, it even seemed like the police didn't want to follow up on. She didn't entirely blame them - they were overworked and undergunned - but when all of that fell on her shoulders, it was still frustrating. Tale as old as time. City cops blame the "stuck up" feds for interfering, then expect them to fix everything the moment they get authority.
Ah, well.
This was a personal follow-up. An open case, one of the worst in the city - seemingly cut and dry on the surface. The metahuman equivalent of some mentally unwell ideologue bombing a nightclub. But the more she looked into things, the more it didn't seem so simple. There was another piece - Lament. A musician that, for the most part, seemed to mostly just be an edgy art project dedicated to murderers. People took their music as a bit of a game, trying to piece together what their songs were referring to. Songs that often contained alleged samples of the victims.
One of those songs featured a sample from the attack on the Pittsburgh Center of the Arts, a sample that, for what it was worth, seemed very real - and, to her ear, sounded nothing like any of the known bystander recordings of that night. The only known recording that was missing, the official one of the band from the venue itself, had been erased - and the lead singer of the performing band was one of the only people who could have done it.
As it stood, he was hardly a primary suspect, but there was - something off about this whole situation. The man had no history, no surname, nothing. He just appeared one day, and then crossed paths with tragedy in the only city where every coincidence could have been planned.
Just a few questions.
Basilica adjusted her mask, approached the door - gap bathed in a glowing red - blaring music on the other side - and knocked.
"Mr. Kosuke?"