Greyhound Investigations

There's a small sign on the building's exterior door. Greyhound Investigations, in simple serif font. If you're not looking for it, you'd probably miss it. It's on the second floor, above a nail salon and an insurance broker. The office door is on the right, at the top of the stairway. Most people stop in by appointment. Julian Hale maintains no set hours, but if there's a knock at the door, he'll usually answer it, regardless what hour the knock comes at. The same text from the exterior decorate the frosted glass window, blown up into a larger and more noticeable sign. Below it, a piece of laminated paper is taped in place:
NOTICE
FRAGRANCE FREE AREA
PERFUMES, AFTERSHAVES AND OTHER
SCENTED BEAUTY PRODUCTS MAY
CAUSE ALLERGIC REACTIONS
PLEASE AVOID WEARING SCENTED
PERSONAL PRODUCTS WHEN WORKING
OR ATTENDING MEETINGS IN THIS BUILDING
PERFUMES, AFTERSHAVES AND OTHER
SCENTED BEAUTY PRODUCTS MAY
CAUSE ALLERGIC REACTIONS
PLEASE AVOID WEARING SCENTED
PERSONAL PRODUCTS WHEN WORKING
OR ATTENDING MEETINGS IN THIS BUILDING
The office inside isn't strictly luddite, but there is an unmistakeable shift in favour of analogue over digital. A filing cabinet stands beside the desk, and - despite the young age of the practice - its drawers are quickly filling. There is a desktop computer, but it sits at the edge of the workspace. An afterthought. An accessory, rather than anyone's primary working device. The brightness on the monitor is low. The center of the desk, the main workspace, is instead cluttered with notebooks. Thick ones, meant for archive and storage, thin scribblers for quick notes, and small rectangular pads of paper that could fit in a man's pockets for field work.
There's a bookcase by the window sporting a split personality. The top shelves hold the usual suspects for a private eye; local law, court proceedings, textbooks on investigative technique and cybercrime. But the bottom shelves hold remnants from a past life; anatomy, biochemistry, and neuroscience textbooks. The middle shelves host an assortment of cameras and recording devices, both digital and analogue. A photo printer rests there as well, its cord snaking discretely behind the shelf.
It's not a flashy office, but it's clear that efforts have been made to make the space comfortable. The fluorescent light fixtures in the ceiling have had their bulbs removed entirely, and the space is instead illuminated with natural light filtering in through half-shuttered blinds and warm lamps placed wherever space is available. A low table supports a small coffee machine, the carafe half-full, the aroma wafting gently through the room. The wall behind the desk is adorned with a single framed photo: a dog race, with one greyhound bounding ahead of the rest.
In the corner of the room, a discrete HEPA filter hums.
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