CICADA RECORDING STUDIOS⠀
The band had learned, over the many years working with him, that Kosuke was a fucking liar.Oh, yeah, I'll be out by half-eight, just need to finish up this track- yeah fucking right. The rest of them had finished their stuff at eight, wrapping up the recordings and sending the files off to Kosuke for mastering. He had been at Cicada all day, but he still wasn't finished. Just a few more takes, I want to get this right- that was what he said this time. That was what he said every time. If it was anyone else, they'd stage an intervention about his debilitating workaholism, but- fuck, it was Vanity. And the trouble with Vanity was- he got results. He made it worth the wait, every single time.
So, once again, they had resigned themselves to the lobby, lounging on the chairs and waiting for- shit, what was her name again? Kosuke's friend- Sam, or something? Waiting for her to show up. Then, at least, they'd have a reason to pull him away from the mic- a reason he couldn't dismiss, like he did when he was the only one affected. After all, it wouldn't just be his day he was holding up this time. It would be hers.
Still, it was nice to see him in the studio again, after what happened- and it was nice to do something as a band as well, even if it would be released under Vanity Project. He said it would be a fun, ironic little title- 'Fortune (feat. PREMORTEM)', as if he wasn't the driving force behind the band in the first place. This new Project record, Ace of Hearts, had a lot of similar quirks- little personal touches, references to his life, that sort of thing. It seemed almost autobiographical, from what little they were able to hear of it- odd for Kosuke, very odd for Vanity. Oh, yeah, and he was being a lot more secretive about this one than most of the others. Fortune was the only one they had been able to preview; everything else remained locked down in a drive on his computer, to be released when he was ready to release them.
At the rate he was going, that would mean decades.
CICADA RECORDING STUDIOS⠀
The band had learned, over the many years working with him, that Kosuke was a fucking liar.
Oh, yeah, I'll be out by half-eight, just need to finish up this track- yeah fucking right. The rest of them had finished their stuff at eight, wrapping up the recordings and sending the files off to Kosuke for mastering. He had been at Cicada all day, but he still wasn't finished. Just a few more takes, I want to get this right- that was what he said this time. That was what he said every time. If it was anyone else, they'd stage an intervention about his debilitating workaholism, but- fuck, it was Vanity. And the trouble with Vanity was- he got results. He made it worth the wait, every single time.
So, once again, they had resigned themselves to the lobby, lounging on the chairs and waiting for- shit, what was her name again? Kosuke's friend- Sam, or something? Waiting for her to show up. Then, at least, they'd have a reason to pull him away from the mic- a reason he couldn't dismiss, like he did when he was the only one affected. After all, it wouldn't just be his day he was holding up this time. It would be hers.
Still, it was nice to see him in the studio again, after what happened- and it was nice to do something as a band as well, even if it would be released under Vanity Project. He said it would be a fun, ironic little title- 'Fortune (feat. PREMORTEM)', as if he wasn't the driving force behind the band in the first place. This new Project record, Ace of Hearts, had a lot of similar quirks- little personal touches, references to his life, that sort of thing. It seemed almost autobiographical, from what little they were able to hear of it- odd for Kosuke, very odd for Vanity. Oh, yeah, and he was being a lot more secretive about this one than most of the others. Fortune was the only one they had been able to preview; everything else remained locked down in a drive on his computer, to be released when he was ready to release them.
At the rate he was going, that would mean decades.
The band had learned, over the many years working with him, that Kosuke was a fucking liar.
Oh, yeah, I'll be out by half-eight, just need to finish up this track- yeah fucking right. The rest of them had finished their stuff at eight, wrapping up the recordings and sending the files off to Kosuke for mastering. He had been at Cicada all day, but he still wasn't finished. Just a few more takes, I want to get this right- that was what he said this time. That was what he said every time. If it was anyone else, they'd stage an intervention about his debilitating workaholism, but- fuck, it was Vanity. And the trouble with Vanity was- he got results. He made it worth the wait, every single time.
So, once again, they had resigned themselves to the lobby, lounging on the chairs and waiting for- shit, what was her name again? Kosuke's friend- Sam, or something? Waiting for her to show up. Then, at least, they'd have a reason to pull him away from the mic- a reason he couldn't dismiss, like he did when he was the only one affected. After all, it wouldn't just be his day he was holding up this time. It would be hers.
Still, it was nice to see him in the studio again, after what happened- and it was nice to do something as a band as well, even if it would be released under Vanity Project. He said it would be a fun, ironic little title- 'Fortune (feat. PREMORTEM)', as if he wasn't the driving force behind the band in the first place. This new Project record, Ace of Hearts, had a lot of similar quirks- little personal touches, references to his life, that sort of thing. It seemed almost autobiographical, from what little they were able to hear of it- odd for Kosuke, very odd for Vanity. Oh, yeah, and he was being a lot more secretive about this one than most of the others. Fortune was the only one they had been able to preview; everything else remained locked down in a drive on his computer, to be released when he was ready to release them.
At the rate he was going, that would mean decades.
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